Objektiv: Josef Albers, Oran Hoffmann

What might be the result of an imaginary conversation between two bodies of work, between two artists whom origin, time, space and medium all position in the farthermost boundaries of a wide field of influence? The exhibition, which casts a net of links and distributions between a selection of prints by Josef Albers and photographs by Oran Hoffmann, considers their artistic projects as a perceptual research of observation; a process of work as a material and formal trial and error through which assimilation takes place.