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Arie Aroch, study for Bus in the Mountains, 1944

And the Hand Draws On…

Arie Aroch, study for Bus in the Mountains, 1944

The exhibition was assembled for an associative display‭, ‬which relinquishes the chronological theme and group affiliation in favor of a more collagist approach based on volatile juxtapositions between drawings with different contexts‭. ‬The viewers are asked‭ ‬to draw away and come close‭. ‬The works concatenate from one another‭, ‬forming open visual affinities‭. ‬This modus operandi primarily prompts observation‭, ‬reliance on what observation yields‭, ‬attention to one’s eyes‭.‬

Other exhibitions

The Day Is Gone: 100 Years of the New Objectivity
Observation / The Field Observers of the Gaza Sector: A Video Installation by Talya Lavie
Judy Chicago: What If Women Ruled the World?
Ariel Hacohen: By the Rivers