
Alina Szapocznikow: Body Traces

Jewish sculptor and proto-feminist Alina Szapocznikow (1926, Kalisz– 1973, Paris) was one of Poland’s outstanding post-WWII artists. Within two decades, she exchanged the language of classical sculpture with an idiosyncratic lexicon of new shapes, unusual materials, processes and themes that held a dialogue with the contemporary art scene and her own biography. Szapocznikow expanded the definition of sculpture in a deconstructive process of trial and error, while casting parts of her own body directly: an indexical imprint that testifies to the body’s deterioration.

Hand, Monument to the Heroes of the Warsaw Ghetto II, 1957
Courtesy The Estate of Alina Szapocznikow / Piotr Stanislawski / Galerie Loevenbruck, Paris ©ADAGP, Paris
Photo: Fabrice Gousset
The exhibition and the catalogue are supported by the Polish Institute; Ostrovsky Family Fund.; Jill and Jay Bernstein; in collaboration with the Museum of Modern Art in Warsaw